About the artist
Returning to England, Lewis' art started to embody Cubist and Futurist elements, which catapulted him into Roger Fry's second Post-Impressionist exhibition in 1912. His brief tenure at Fry's Omega Workshops ended in 1913, and soon after, in 1914, he established the Rebel Art Centre. This marked the birth of his Vorticist movement, a style which featured semi-abstract, angular works infused with a fascination for machinery's impersonality and energy.
During his years with the Vorticists, Lewis co-founded and edited the Vorticist journal, Blast, with Ezra Pound and Gaudier-Brzeska. The Canadian-born artist also served his home country as an official war artist during both World Wars. His later work humanised Vorticism, maintaining its stark, jagged aesthetic. As he lost his sight in 1953, Lewis turned to writing, earning a name for himself through his satirical novels.
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