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Mosaic in the Divan, Court of the Fishpond, 1842–45 - Owen Jones - Framed art Print

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Regular price £55.00 (Unframed)

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PRODUCT DETAILS

  • Framed print by Owen Jones.
  • Buy this print framed for £165.
  • Buy this print unframed for £55.
  • Framed size is 62 x 45 cm.
  • Other print sizes and frame styles are available.

SHIPPING

SHIPPING POLICY

Time to despatch:

The estimated shipping dates are shown against each product. The anticipated shipping date and delivery dates will be calculated on the check out page before you check out.

Unframed prints are usually shipped on the next working day if ordered before 2pm. Framed items can take one or two working days longer with our experts in the framing workshop.

Express services:

Express service for unframed print and posters by Royal Mail Special Delivery to arrive the next working day for an additional cost. Framed prints are always shipped by express courier.

Shipping Fees:

UK - £3.95 for unframed items by 1st Class Packetpost
UK - £6.90 for unframed items by Royal Mail Special Delivery
UK - £8.95 for framed items.

International - Shipping is calculated before you check out according to destination.
International - Unframed by Registered AirMail or by premium express courier (select at checkout).
Very large prints are always sent by express service.
International - Framed by premium express courier (select at checkout).

Duities and VAT:

EU countries pay no VAT but will be liable to local taxes or duties.
Please be advised! - International orders may be liable to local taxes or duties when they enter your country.

About the artist

Owen Jones, who lived from 1809 to 1874, was a multifaceted architect and designer, and was considered a leading design theorist of the 19th century. His significant contributions had a profound impact on modern aesthetics during the time. Known for his extensive travels, Jones drew a great deal from the Islamic world for his innovative theories on design and colour.

He was among the pioneering architects who studied the Alhambra and was deeply fascinated by its vibrant hues and complex geometrical designs. This profound experience led him to dedicate subsequent years to the development of chromolithography, a chemical printing method that enabled the creation of multicoloured prints, a feat unmatched by existing printing techniques of the time.

This trip to the Alhambra sparked Jones' deep appreciation of colour and his advocacy for its use in all facets of contemporary design. Amidst a 19th-century Britain heavily influenced by historical revivals, Jones sought to forge a distinctive modern style. His design guide, "The Grammar of Ornament," published in 1856, encapsulates his theories and features the finest examples of ornamentation and decoration from various cultures and eras.

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