About the artist
Despite a natural inclination towards poetic themes, Martin began exploring Neo-Impressionism in 1889, applying fragmented colour through short, feathery brushstrokes. However, he rarely delved into the scientific approach of divisionism, where pure colour strokes were used to create new hues. Unlike orthodox divisionists, his painting technique wasn't coldly systematic. He adopted pointillism from Ernest Laurent and the Italian artist, Segantini.
Instead of harnessing this technique for fleeting light effects, Martin used it to lend a radiant, otherworldly glow to his lyrical subjects. Between 1889-1900, Martin created a unique series of paintings that led to Puvis de Chavannes declaring him as his rightful successor.
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